The New Yorker · 实时热榜

Our editors and critics review notable new fiction, nonfiction, and poetry.

When the angel came to Craig, he was seven, squatting in the outhouse at camp.

A devastating personal story reveals why firearm suicide has remained a blind spot in America’s gun debate.

A drawing that riffs on the latest news and happenings.

Ode to a sitting senator.

The poet joins Kevin Young to read and discuss “Questions of Travel,” by Elizabeth Bishop, and his own poem “My Father in English.”

The author of “Cool Machine” has become one of our most important writers without ever seeming to stretch for importance.

The author of “Motherhood” answers our questions about her reading habits.

Bernie Sanders’s erstwhile campaign manager explains why he thinks it’s the former.

I mourn the professional velocity I️’ve lost, along with a community of friends.

Elizabeth Meriwether’s new series, which follows a female killer seeking vengeance against a network of abusers, is brutal, nuanced, and, at times, surprisingly funny.

Trump’s Cabinet has joined TikTok, but the White House is about to learn that controlling the platform isn’t the same as being good at it.

The Committee continues to recognize National Pizza Day, but denies the petition for a distinct New York-Style Pizza Day.

The painter was rich and cloistered, and used color like few others before or after him.

The agency was created to spread the story of freedom and democracy around the world. Now, with many of its journalists being paid to stay home, it’s delivering a very different message.

The new adaptation, though visually exquisite, swaps the story’s much-loved comfort for dutiful tedium.

Both artists have released new albums—“Music, Fashion, Film” and “Reality Awaits”—that seesaw between raw sincerity and punkish insouciance.

A drawing that riffs on the latest news and happenings.

Our first goal, as with “60 Minutes,” is balance. Lake Mead has been on the north side of the Hoover Dam for too long. When we’re finished, it will be on the south side, too.

The United States risks becoming a theme park of internal combustion, as the rest of the world moves on.

Recently, there has been much hand-wringing about downwardly mobile young adults living with their parents into their twenties or thirties. What’s really going on?

During the 2016 election, much of the country was introduced to the concept of internet bots for the first time. Now, just a decade later, it feels like they’re everywhere.

A drawing that riffs on the latest news and happenings.

Olo can be described as the “greenest green,” though it can never be captured by a camera. But its development tells us a lot about our color vision.

“The Renoir Girls,” “Little Blue Dot,” “Air,” and “I Want You to Be Happy.”

“Only some of me / is here on Earth.”

Gadi Eisenkot, whose view of war is shaped by the loss of his son, is, in manner and character, the anti-Bibi.

The “Ice Age” actor steals Christopher Nolan’s “The Odyssey,” as a loyal swineherd to Matt Damon’s Odysseus. Back in New York, he bought the director a two-thousand-year-old thank-you gift.

Hundreds of neurosurgeons gathered in Central Park for inter-hospital softball. Who took home the skull-shaped trophy?

Decades after Milli Vanilli’s lip-synching scandal, the singer is still reclaiming his legacy—with a documentary, an EP, and an almost-performance at Trump’s state fair.

Soaking up the sun.

What moves the star of “Jackass” to risk his life for our entertainment? A very serious investigation.

The Hamptons Fine Art Fair recently exhibited a ten-foot Lady Liberty. Noble, solemn, and—wait, how much?

“A living freckle / That knows your name and knows / That it is spring and feels a kind of imaginary privacy.”

Following a review, I have decided to dissolve our relationship. This decision reflects a strategic realignment of my emotional resources and should not be interpreted as a comment on your over-all market value.

The majority of suicides in the U.S. involve guns, and eighty per cent of those are done by white men, a pattern that the gun-rights organization has spent decades denying.

Policymakers have assumed that people with good options wouldn’t make bad choices. What if access was never the real problem?

So then they did it. And it was pretty incredible—pretty incredible for a first time.

The director of “I Want Your Sex” discusses whether Gen Z is having enough of it, casting Charli XCX and Johnny Knoxville, and the importance of “weird, scary, confusing experiences.”

Kylie Minogue’s 2023 hit belongs to a category of solid, danceable pop music that barely penetrates the eardrums of self-professed thirtysomething old folks.

The author discusses her story “Earthly Delights.”