The New Yorker · 实时热榜

The author reads her story from the August 10, 2026, issue of the magazine.

The author discusses her story “The Promise.”

A secret history of shutting up.

A drawing that riffs on the latest news and happenings.

The actor on meeting Stephen Sondheim, staging “Godspell” for the Pope, and the thrill, in the new Anthony Bourdain bio-pic, of playing someone “good.”

A reprieve from the city’s chaos.

The 2013 Daft Punk track was uncannily evocative of the late nineteen-seventies, when I was young and dancing was my creed.

Thousands of people in Nigeria have been held for ransom by bandit groups. One professor escaped his captors—only to be abducted again.

“how starkly clear you hear them gnawing / at the wood of lawn chairs near the awning.”

You couldn’t be certain, in the night, what sort of world the doors might open onto, were you to turn the knob.

The “Master of None” actor and half of the duo Tim and Eric turned his post-divorce hobby—collecting Dr. Seussian trees and shrubs—into a hipster business, with Martha Stewart and Kelly Wearstler as clients.

Beijing is competing with the U.S. for tech supremacy. Who wins will have huge political implications.

Senator Rand Paul may have approached the matter with theatrics and ill will, but Dr. Anthony Fauci’s decision not to testify was a loss.

The author joins Deborah Treisman to read and discuss “Man-Eating Cats,” which was published in The New Yorker in 2000.

Fireworks by Grucci has been in the pyrotechnics business for six generations.

“We put all these ingredients in a cocktail shaker, and the result is massive fires that far exceed the extinguishing capacity of firefighting teams,” a Spanish firefighter said.

Dan J. Sullivan and Dan S. Sullivan are both vying for a Senate seat in Alaska. Who will take the Last Frontier?

“Daylight Come,” “Scavenging Beauty,” “Dooneen,” and “Queen Mab.”

A new exhibition at the International Center of Photography presents the designer precisely as he wanted to be seen.

Like humans, the technology will never be perfect. The question is what imperfections we’re willing to tolerate.

At the Old News Newsstand, yesterday’s headlines are today’s hot scoops—discarded Timeses, out-of-vogue Vogues, cool zines, even vintage smut.

Married Man Still Able to Drink at Collegiate Level; Sloppy Eater Dog’s New Best Friend; and more.

Since the earthshaking success of Taylor Swift’s Eras Tour, artists from the Weeknd to Ariana Grande have tried to imbue their live shows with a sense of history.

The documentarian returns to the Grand Canyon for “The Bend in the River,” the third film in his unofficial series on friendship, nature, and the passage of time.

The lawyer who showed an outer-borough striver how to ignore the rules, avoid a paper trail, and make up a good story for the media.

“Oh, / thing, poor thing, little thing, thing thinging, thing is / a beautiful mess.”

Jacqueline Harpman wrote her best-known works in the nineteen-nineties, but her fiction’s elegiac loneliness seems to anticipate our own solitary, screen-bound era.

The co-hosts compare notes on the most captivating political dramas of the summer, from Fauci’s Senate hearing to China’s rise on the international stage.

The Fed chair’s biggest challenge is demonstrating his independence from Donald Trump.

Both as a young busker and as a famous singer-songwriter, Hansard understood how to make people stop and listen and feel one single thing.

The city-council member Nithya Raman was an ally of Karen Bass, but Raman launched a challenge against her to bring more “urgency” to fighting the city’s housing crisis.

The White House is distorting intelligence assessments instead of working to protect the midterm elections.

The Michigan U.S. Senate candidate on campaigning with Hasan Piker, being a capitalist, and why his fellow-Democrats need to “stop compromising.”

The Michigan Senate primary has turned into a referendum on a word that has never had a fixed meaning.

A drawing that riffs on the latest news and happenings.

Jane Schoenbrun’s latest film, which follows a celebrated young filmmaker tapped to reboot an old horror franchise, is a cinematic manifesto that examines how art can inspire both love and fear.

The oak processionary caterpillar, which is spreading as Europe warms, fills the air with microscopic hairs that inflict excruciating rashes.

The prosecution’s central claim “would be laughable,” one former federal judge noted, if it weren’t intended “to deprive a man of his liberty.”

Also: Misty Copeland’s Ballet Festival, the cogent poetry of Noname, the films of Otar Iosseliani, and more.

In Kiyoshi Kurosawa’s historical drama, a series of puzzling crimes at a besieged fortress yields even more confounding questions about faith, war, and leadership.

Steven Pruitt, who is widely regarded as the most prolific Wikipedia editor, has made more than six million edits to the site, and, by extension, has quietly shaped the raw material that every major A.I. chatbot was trained on.

A drawing that riffs on the latest news and happenings.

Hugging Face’s chief science officer recounts the cybercrime that signals a terrifying new era for A.I.

Ode to a sitting senator.

Elizabeth Meriwether’s new series, which follows a female killer seeking vengeance against a network of abusers, is brutal, nuanced, and, at times, surprisingly funny.

When the angel came to Craig, he was seven, squatting in the outhouse at camp.

The author of “Cool Machine” has become one of our most important writers without ever seeming to stretch for importance.

Bernie Sanders’s erstwhile campaign manager explains why he thinks it’s the former.

The agency was created to spread the story of freedom and democracy around the world. Now, with many of its journalists being paid to stay home, it’s delivering a very different message.