The New Yorker · 实时热榜

Sometimes a person has to be bold and trust that the person he’s being bold to will rise to the occasion.

CBS News’ editor-in-chief has pledged to “speak for the seventy-five per cent” of people on the center right and the center left; the reality is different.

The actor discusses Tom Cruise, the Coen brothers, and his lifelong quest to feel at ease in his own skin.

Members of the Democratic Socialists of America believe deeply in the possibility of a class revolution. Meanwhile, they’re running for office—and winning.

The author reads his story from the October 26, 2026, issue of the magazine.

“I can’t remember how to reach / the end of my own sentences.”

“In the earliest version / by Perrault the story is finished / when the girl gets eaten.”

With the opening of Faux, in Tribeca, Keith McNally’s son steps into the family business. Is it ambition or hubris?

The author discusses his story “Appeasement, Ohio.”

Unlike Fielder’s past work, “You Can See Everything” isn’t very funny. Instead, the documentary, co-directed by Lance Oppenheim, is a haunting exploration of the limits of other people’s knowability.

Wagner knows the special alchemy that can happen when you point a camera at a Black person on the street.

A simple e-mail or kitchen appliance could send me into a pit of anxiety. The only way out, I learned, was in.

A competitive House race in Miami, which leads all American cities in ICE arrests, has revealed how mass deportations have eroded the President’s support among Latinos.

The ad agency M+C Saatchi has been working to boost tourism in the war-torn region. One of its inspo pics is Anthony Bourdain in sunglasses.

Alex Gibney, the director of the new documentary “Musk,” on how the richest man in the world consolidated his power—and now wields it with abandon.

The former White House communications director reflects on his record for occupational brevity being broken.

A drawing that riffs on the latest news and happenings.

Rich Baris, a pollster supportive of the MAGA “big tent,” talks about how the President lost control of his movement, and why that spells disaster for Republicans.

Removing human drivers isn’t only a cost-cutting strategy; Waymo riders prefer the solitude, the New Yorker staff writer Molly Fischer says.

A drawing that riffs on the latest news and happenings.

Conan O’Brien, Min Jin Lee, Lorna Simpson, and more, plus what to do in Chelsea and the East Village.

One of the biggest failures of the post-#MeToo moment is our collective inability to provide a confident, humane account of sex as a basic good.

With the reissue of her 1974 novel “The Cosmopolitan Girl,” a gallery show, and a documentary screening, the renegade artist is everywhere this fall.

Fontaines D.C., a young quintet from Dublin, brings a raucous intelligence to its songs of oblivion.

We fight our nervous energy—but maybe we misunderstand what it’s telling us.

The cases of Christa Pike and Nidal Hasan show how vanishingly fine the line is between a routine execution and an unbearable one.

No one thinks Russian diesel can save the Republicans, so why is the President doing it?

Why do so many new films have plots and structures that make reviews a delicate dance of hints and secrets?

I was powerful, graceful, and gorgeous.

A drawing that riffs on the latest news and happenings.

But is anyone listening?

Pierre Damas Bel was a twenty-year-old college student planning for his future. His family says that ICE monitoring made him lose hope.

The election could deliver a major victory for Democrats. What would that tell us about Trump’s hold on the country—and the Party hoping to succeed him?

In this Administration, former Ambassador Guilfoyle is the rare Trump associate to face consequences for misdeeds.

The alleged perpetrators in the “Cornell Seven” case were doxed. But so was the victim. And the person who doxed her. And people with no connection to the case at all.

Our editors and critics review notable new fiction, nonfiction, and poetry.

A drawing that riffs on the latest news and happenings.

The experts recommend favorite titles for kids and their grownups.

For decades, the novelist has dismantled the tropes of realist fiction, writing about mysterious individuals trapped in byzantine systems. In “The Rhyl Poster,” that approach may have reached its limit.

Dexter Filkins on Pete Hegseth’s planned public execution of Nidal Hasan and his memory of a public execution by the Taliban in Kabul.

You’re feeling too lazy to text, and you know perfectly well that I’m just going to let it go to voice mail and then text my response anyway.

In Greece, the Secretary of State cast the West as a civilization defined by its warriors and conquerors, not by its democracies.

At the Met, a landmark exhibition doesn’t just show that the painters were equals. It makes it impossible to imagine their art existing without their marriage.

The Modi government has removed more than a hundred million people from voter rolls and is cracking down on a vigorous protest movement.

John Field and Adelaide Percheron, the protagonists in my new book, were born in the eighteenth century. Was I writing a historical novel?

A drawing that riffs on the latest news and happenings.

Three weeks after we released “The Journey,” Guojun Xuan and Silvia Zhang were arrested, and local prosecutors charged them in a child-abuse case.

Joe Garcia, who wrote about finding Swift’s music after a murder conviction, searches for redemption in a new short film by Jon Kasbe.

“Dune: Part Two” to “Those Mad Worms Won’t Stop, Mate” (Australia): You think those dodgy snakes in the outback are devo? You ain’t seen nothing, mate!

Americans’ most valued official document is the latest national treasure to get a Trump makeover.